![]() This movement must always be alternated with the thumb, which makes the accompaniment. Normally, the technique is applied by the ring finger (a), middle finger (m) and index finger (i), which are those that play the melody. In order to obtain this effect of continuity, it must be played with proper speed, so that when tremolo is not playing, but the thumb accompaniment does, the feeling we can get is that the melody does not stop. It is a repetition of the same note played normally in sixteenth or thirty-second note, creating an effect of continuity in the melody. Tremolo, both in the flamenco guitar and the classical guitar, produces a very similar effect to that generated by other plucked string instruments like the bandurria or the mandolin. When the notes of a chord are played one after the other, we are making an arpeggio, named after the harp. ![]() ![]() Composers such as Paganini, Tárrega, Barrios Mangore or Eduardo Sainz de la Maza used this resource in their compositions, as well as many flamenco guitar musicians. Tremolo was invented in the 16 th century, in order to imitate the effects of nature. ![]()
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